Description
S G M P D M P S R N P D m P G M P R S
Vaadi - Sa and Pa
OR
GA and Ni as well.
Pa Re Sa .. Ga Ma ...
Most songs start with the Gandhar - Ga Ma
Happy raag sung usually at night. Can be sung at the start of the Mehfil. Teevra Madhyam is used often.
Popular motif of Description is the pattern
G M D P R S G
G M P D P P S
m P G M P
D P m P
What you cannot do in Nand
D N S - even hitting the upper Sa means singing P N S and P D S (sparingly)
Sa Ga is the main chaya of the Raag. Ga is such a strong Vaadi swar that it feels like a Sa and the Ni feels like the Samwaadi.
Most asthayi's start from the Pa (Exception - Rajan ab toh aaja)
Popular compositions
Type Vilambit khayal
- E bare saiyyan tohe sakala bana dhoondhun bare saiyaan by Mehboob Khan - Daraspiya
- Ajahun na aaye Shyam, bahuta dina beete – composed by Vilayat Hussain Khan -Pranpiya